THE BOOK OF SALADIN

Tariq Ali

I do not like long slow books. However, this long, slow book redeems itself more than adequately by recreating the world of Yusuf Salah ud-Din ibn Ayyub, Commander of the Brave, in such detail that we willingingly suspend all doubt and disbelief. And if you have the time and the patience to read all the anecdotes (preferably lubricated by glasses of mint-tea  which must be made with fresh mint and green tea, and rock sugar, though this last is not essential) then you will finish the book well satisfied.

I say anecdotes, for that is what it is: a series of ancdotes cleverly strung together by the device of a narrator/biographer, one Isaac ibn Yakub, friend of the physician Ibn Maymun (known to us as Maimonides). Both are Jews and both, when the book opens, are resident in Cairo, Ibn Maymun having reached there as a refugee from Cordoba in Andalus via Fes in Morocco (where he had to pass himself off as a Muslim - and about which he is still furious!).

Also resident in Cairo is the Sultan Salah ud-Din: Ibn Maymun is now the Sultan's physician, and it is through him that Ibn Yakub meets the Sultan, becomes his personal scribe and is commissioned to compile the Book of Saladin, the story of the Sultan's life and times.

As the book progresses and Saladin moves to Damascus en route for al-Kadisiya (Jerusalem) and the expulsion of the Franj (the Crusaders from the west), so we gradually piece together his life and the lives of those around him. For Ibn Yakub goes everywhere with him, and not only spends hours day after day, year after year, listening to the Sultan himself, but also has access to all those who are close to the Sultan.

Some of whom are great characters. For instance, Shadhi, the old Kurd (an illegitimate son of Saladin's grandfather and now in his nineties) who knew Saladin when he was a boy, taught him to ride and to fight, and has remained at his side ever since, totally loyal, irrepressible, tactless and wise, and a fund of tales, few of them politically correct (even for that society!) and many of them not for those under 18 (in this society). An example? I like this, for instance (Shadhi is speaking now of himself when he was young back in the mountains): I was nineteen years old. Every spring my sap would rise and I would find a village wench on whom to satisfy my lust. I was no different from anyone else, except, of course, for those lads who had difficulty in finding women and went up the mountains in search of sheep and goats. You look shocked, Ibn Yakub. Recover your composure. You asked for my story and it is coming, but in my own fashion. When we were children we used to tell each other that if you fucked a sheep your penis grew thick and fat, but if you went up a goat it became thin and long!

It is good on men and women. There is a beautiful woman of twenty or so who is guilty of adultery and due to be stoned. She is brought before Saladin to confirm the sentence, and he promptly puts her in his harem, thereby saving her life. This is Halima, who is later interviewed by our narrator (who was present when Saladin spoke to her and saved her, and who was himself very taken with the girl). Now Halima is telling him about the Sultana, Jamila, a princess from Arabia who has become the Sultan's favourite wife.  'Since you will never set eyes on her, Ibn Yakub, let me describe her to you. She is of medium height, not as tall as me, dark skinned and dark haired, with eyes which change colour from grey to green, depending on where you catch sight of them. As for her body, what can I say? I embarrass you again. [...] It is Jamila who keeps our minds alive. Her father was an enlightened Sultan. He adored her and insisted that she be educated, just like her brothers. He refused to tolerate any attempt to restrict her learning. What she has learnt, she tries to teach us.' Among those things she tries to teach are the writings of the Andalusian Ibn Rushd, who claimed that the world of those who believe in Allah is crippled by half its people being disempowered and unable to function in that world.

Saladin's mother would have agreed. He tells Ibn Yakub that his father could never resist a pretty serving wench: "He would feel the sap rise in him, and he never wasted his seed. Once my mother reproached him for this and he hurled a hadith at her head, according to which, if it is to be believed, 'the share of a man to copulate has been predestined and he will have to do it under all circumstances.' My mother, who was a plain-speaking woman, after a few sentences of the choicest Kurdish abuses which I will not repeat, then asked him how it had come about that men could find a hadith to justify everything they did to women, but the opposite was never the case."
In fact, Ibn Yakub does set eyes on Jamila, for the Sultan authorises her to speak to him, to tell him her version of events, and they soon become close friends: so it is not just the story of Saladin but of Jamila also, and of Halima, and others - like the handsome - indeed, beautiful - young Coptic boy-scribe, Tarik ibn Isa. And the young poet who becomes involved in a murder of passion: when Ibn Yakub tells Jamila that the Sultan has saved him by sending him to join the army assembling for the attack on Jerusalem, Jamila is not impressed. "Typical. [She mutters.] The Sultan has lost interest in poetry. Twenty years ago he could recite whole poems with real passion. Sending poets to fight in wars is like roasting nightingales. I will have that boy returned."

The more I read of the book, the more I liked it. And the better I understood Saladin and the other dreamers amongst the Faithful who dreamt of retaking Jerusalem, and succeeded against all the odds - which is why Saladin is so famous - but then with the arrival of Richard (yes, the Lionheart) things began to go wrong and although the Crusaders never regained Jerusalem, Saladin's star was waning (he was twenty years Richard's senior) and in 1193, at the end of the book, he dies, with the reputation more of a saint and a sparer of life than of a ruthless slaughterer like Richard.

So. Not for the easily-bored or those in search of an exciting read, but extremely well written, and strongly recommended.
                                                                               MBG
Medieval Magic and Mystery
  >    some mention of heretical and mystical forms of Islam
  >  dreams as harbingers of the future

Medieval Outsiders
   > Jews in a world being fought over by Muslims and Christians
   > a highly educated Muslim princess with heretical tendencies
   > another educated Muslim girl who passes herself off as a man so that she can practise as a poet in public
Cairo, Damascus and Jerusalem, 1181-93
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